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Qillaq, Moses

Qillaq, Moses

Qikiqtaaluk

(b. 1964)

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Qillaq, Moses

(b. 1964)

Moses Qillaq (b. 1964) spent most of his life in Clyde River, NU. He was a sculptor who worked primarily in stone. In 2002, Qillaq’s work was part of the exhibition Inuit: When Words Take Shape, organized jointly with the Musée d‘Art Inuit Brousseau in Quebec City, QC, and the Natural History Museum of Lyon in France, that toured across Europe from 2003 to 2008.

The only known institutional example of his work, Nuliajuk on Kamik Holding Qulliq (c. 1990s), is held at the Winnipeg Art Gallery. It depicts the sea spirit Nuliajuk (or Sedna) sitting on an oversized kamik and holding out a qulliq (stone lamp). Rather than shaping the work from a single piece of stone, Qillaq used a much darker one for the kamik, whose seams are incised with precise lines. A much lighter stone was employed for Nuliajuk and the qulliq, whose features are all smoothly rounded indentations in the work.

Qillaq, Moses

Nuliajuk on Kamik Holding Qulliq

2006
stone
12 x 8.5 x 4 cm

Collection of the Winnipeg Art Gallery, Gift of Dr. Harry Winrob
2006-571.1 and 2

  • Nuliajuk on Kamik Holding Qulliq

    About

    Nuliajuk on Kamik Holding Qulliq

    Nuliajuk on Kamik Holding Qulliq

    Nuliajuk is the sea spirit who became the protector of all sea animals. She is a force to be reckoned with should anyone disrespect her creatures. The fluid nature of oral culture means details of certain legends also tend to be ever-evolving. Among the most famous of the vast array of oral storytelling traditions, are those related to the sea spirit known in different regions throughout northern Canada as Sedna, Taleelayuk, Takannaaluk, Arnajuinnaq, Uinigumasuittuq or in this case, Nuliajuk.


  • Heather Igloliorte Discusses Nuliajuk

    Video Story

    Heather Igloliorte Discusses Nuliajuk

    Heather Igloliorte Discusses Nuliajuk


  • Nuliajuk’s Story as told by Michael Kusugak

    Video Story

    Nuliajuk’s Story as told by Michael Kusugak

    Nuliajuk’s Story as told by Michael Kusugak


  • The Harry Winrob Collection

    About

    The Harry Winrob Collection

    The Harry Winrob Collection

    In 2006, a major collection of 246 sculptures was donated to the Gallery by Vancouver collector Dr. Harry Winrob. Originally from Winnipeg, Winrob had made occasional purchases of Inuit carvings beginning in 1968. He became interested in seriously collecting Inuit sculpture in 1971, and soon focused on acquiring works made of organic materials from game animals (whalebone, walrus ivory, and caribou antler). Fifty-four sculptures in Winrob’s collection are created from organic materials, and thirty-six of these are of whale bone. Winrob once gave his background as a physician as the reason for his interest in these materials. However, much of his interest was also aesthetic. He was particularly interested in the flamboyant sculpture by Nattilingmiut (Netsilik) artists from Taloyoak, Gjoa Haven, and Kugaaruk. Sculpture with shamanic content fascinated him, particularly animal/human transformations. He explained that it was not the “classic” but the atypical, even the bizarre that held a strong attraction for him. In March 2008, Harry Winrob’s collection was the subject of a major WAG exhibition and catalogue.


  • Nuliajuk on Kamik Holding Qulliq

    Additional View

    Nuliajuk on Kamik Holding Qulliq

    Nuliajuk on Kamik Holding Qulliq