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Smith, Levi Alasua Pirti

Smith, Levi Alasua Pirti

Nunavik

(1927–1986)

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Smith, Levi Alasua Pirti

(1927–1986)

Smith, Levi Alasua Pirti (1927-1986) was one of the best-known of the Puvirnituq carvers, and pieces in the WAG collection date from 1961 to 1975. He took his surname from the place where he was born, Cape Smith, Nunavik. The camp was abandoned in the 1950s due to a tuberculosis epidemic and the people resettled in Puvirnituq. About 70% of the Cape Smith population was sent to southern tuberculosis hospitals, including Smith who spent a year in the hospital. Unlike most carvers, Levi was more interested in art than in hunting. Beginning with large, roughly finished sculpture in the 1950s, he progressed to a highly polished style which tended to be abstract. When asked what his carvings mean, he says they are male, they are spirits, they are malevolent, and are threatening to people.

In 1967, he participated in a carving competition held in Puvirnituq that was in response to carvers’ complaints that they were tired of just carving animals and people all the time. In this competition, they were encouraged to carve anything they wanted. He and several other carvers in Puvirnituq continued to create representations of dreams, fears, and spirits and many of those in the WAG collection were featured in an exhibition, Inuit Fantastic Art in 2014.

Smith, Levi Alasua Pirti

Fantasy Figure

1968–1969
stone
9.5 x 10.4 x 12.7 cm

Collection of the Winnipeg Art Gallery, The Ian Lindsay Collection, Acquired with funds from the Volunteer Committee to the Winnipeg Art Gallery
G-85-373

  • Fantasy Figure

    About

    Fantasy Figure

    Fantasy Figure

    Levi Alasua Pirti Smith was a contemporary of Eli Sallualu Qinuajua, the father of surrealist Inuit art. The two of them are from Puvirnituq, where there was a contest in 1967 to depict takushurngnaituk, or ‘things that have never been seen before.’ The contest inspired an entire ‘school’ of surrealist art and its influence spread to artists in other Nunavik (Arctic Quebec) communities and continued into the 1980s.


  • Fantasy Figure

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    Fantasy Figure

    Fantasy Figure