Abraham Etungat was raised nomadically on the land until settling in Kinngait (Cape Dorset) in the 1950s. During this time his health was deteriorating and he was unable to support himself hunting. Instead, he began to carve imaginative figures in stone and is best known for his representation of birds. This carving is reminiscent of his other bird sculptures, as the round body of the bird has been polished and the feathers are etched into the stone.

In 2006, a major collection of 246 sculptures was donated to the Gallery by Vancouver collector Dr. Harry Winrob. Originally from Winnipeg, Winrob had made occasional purchases of Inuit carvings beginning in 1968. He became interested in seriously collecting Inuit sculpture in 1971, and soon focused on acquiring works made of organic materials from game animals (whalebone, walrus ivory, and caribou antler). Fifty-four sculptures in Winrob’s collection are created from organic materials, and thirty-six of these are of whale bone. Winrob once gave his background as a physician as the reason for his interest in these materials. However, much of his interest was also aesthetic. He was particularly interested in the flamboyant sculpture by Nattilingmiut (Netsilik) artists from Taloyoak, Gjoa Haven, and Kugaaruk. Sculpture with shamanic content fascinated him, particularly animal/human transformations. He explained that it was not the “classic” but the atypical, even the bizarre that held a strong attraction for him. In March 2008, Harry Winrob’s collection was the subject of a major WAG exhibition and catalogue.