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Oomayoualook, Isa

Oomayoualook, Isa

Nunavik

(1915–1976)

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Oomayoualook, Isa

(1915–1976)

Isa Oomayoualook (1915-1979) was known as Isakunak by the other people in his camp located about six miles south of Inukjuak. He was a prolific carver in the 1950s. One of the most identifiable elements of Oomayoualook’s style is the use of incised round circles, often with a centre dot to give texture to the breasts of his birds. A favourite early subject for the artist was a totem-like vertical piling of figures and animals. The artist’s totem imagery was possibly influenced by Northwest coast indigenous art as shown to him by visiting artist James Houston in 1951. Another characteristic of his carvings was the use of drilled dots and grooves filled with soap that sometimes define details. The use of light brown stone was also usual in his camp in the 1950s.

Oomayoualook, Isa

Owl on Head

1950
stone
13.3 x 5.7 x 5.1 cm

Collection of the Winnipeg Art Gallery, The Ian Lindsay Collection, Acquired with funds from the Volunteer Committee to the Winnipeg Art Gallery
G-85-336

  • Owl on Head

    About

    Owl on Head

    Owl on Head

    Inuit carvings resembling Northwest Coast totem poles are curiosities specific to the Inukjuak (Port Harrison) area in the early 1950s. Their inspiration is still unclear. This much we know: James Houston travelled to the area multiple times from 1948 and 1950. In 1951 he published an instructional booklet, Sanajaqsaq (Eskimo Handicrafts), for Inuit artists, which included an odd drawing of an ‘Inuit-style’ totem pole. It is possible that Houston saw Inuit totem-like compositions, which inspired him to draw Northwest Coast-style poles, thus prompting artists such as Isa Oomayoualook to produce works in this hybrid style for years.


  • Owl on Head

    Additional View

    Owl on Head

    Owl on Head