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Okittuq, Maudie Rachel

Okittuq, Maudie Rachel

Kitikmeot

(b. 1944)

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Okittuq, Maudie Rachel

(b. 1944)

Maudie Okittuq (b. 1944) has been carving since 1968 and has developed a powerful personal style. She is one of a small group of people who began carving in Taloyoak in the 1960s and is still actively working today. She was born near Thom Bay on the Boothia Peninsula. The family spent their winters in the Gjoa Haven area where foxes were plentiful for trapping. She was named after her grandmother, Muati, which was later Anglized to “Maudie.”. Her brother, Gideon Qauqjuaq, is also a talented carver. They moved to Taloyoak in 1966, and in that year, married James Okittuq. As she has described:

Some people began carving after [1966], so in 1968, Okittuq and I began to carve. We used to carve together, using only hand tools such as axes and files, because there were no power tools then. We started using whale bone first, then stone later. We were like teachers to each other. I would criticize his carving and he would do the same to me.

When I am in the first stages of a carving, it is hard to see what it will be—for me anyway. I never know what I am making until I start chipping away at it. Only when I see a figure, do I start knowing what it will be. Sometimes I think I see what I can make out a piece of stone, but as a carver you can never be sure that it will turn out that way.I never thought that carving would be a part of my life, and I never dreamed that I would rank with the better carvers.
(Maudie Okittuq, interview with Louise Anaija, Taloyoak, November, 1996.)

Bird Shaman

1996
stone, ivory ?
15.8 x 21 x 9.5 cm

Collection of the Winnipeg Art Gallery, Gift of Dr. Harry Winrob
2006-436.1 to 3

  • Bird Shaman

    About

    Bird Shaman

    Bird Shaman

    Maudie Okittuq is a leading Nattilik (Netsilik) carver. Her Inuktitut name is Mauti (pronounced Moo-a-tee), after her grandmother, but her name was Anglicized to Maudie. She began carving in 1968 after moving to Taloyoak. Maudie rarely plans out a carving. She begins chipping away until she starts to see a figure in the stone and that’s when she decides what the figure will be. She originally used whale bone and hand tools such as axes and files to create her artwork, later transitioning to stone and power tools.


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  • The Harry Winrob Collection

    About

    The Harry Winrob Collection

    The Harry Winrob Collection

    In 2006, a major collection of 246 sculptures was donated to the Gallery by Vancouver collector Dr. Harry Winrob. Originally from Winnipeg, Winrob had made occasional purchases of Inuit carvings beginning in 1968. He became interested in seriously collecting Inuit sculpture in 1971, and soon focused on acquiring works made of organic materials from game animals (whalebone, walrus ivory, and caribou antler). Fifty-four sculptures in Winrob’s collection are created from organic materials, and thirty-six of these are of whale bone. Winrob once gave his background as a physician as the reason for his interest in these materials. However, much of his interest was also aesthetic. He was particularly interested in the flamboyant sculpture by Nattilingmiut (Netsilik) artists from Taloyoak, Gjoa Haven, and Kugaaruk. Sculpture with shamanic content fascinated him, particularly animal/human transformations. He explained that it was not the “classic” but the atypical, even the bizarre that held a strong attraction for him. In March 2008, Harry Winrob’s collection was the subject of a major WAG exhibition and catalogue.


  • Maudie Rachel Okittuq, Bird Shaman

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    Maudie Rachel Okittuq, Bird Shaman

    Maudie Rachel Okittuq, Bird Shaman