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Naktialuk, Pinnie (Benjamin)

Naktialuk, Pinnie (Benjamin)

Nunavik

(1930–1969)

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Naktialuk, Pinnie (Benjamin)

(1930–1969)

In the 1950s, Pinnie Naktialuk (1930-1969) and his family were part of the camp in the Inukjuak area lead by Johnny Inukpuk. In the mid-1960s, they moved into Inukjuak, along with many others in the area. In an interview in May 2004 with the artist’s son, John Naktialuk, the evolution of the name “Pinnie” was explained:

In the early days when we had to go to be officially named with the Church and the Government, people always arrived with a real Inuit name, and the preacher or administrator asked them to come up with a Christian name. Last summer we were visiting another community and we found a man whose mother was a neighbour of my father. They went to the church to be baptized officially at the same time, and when they were trying to figure out a name for my father, he was named Benjamin. I don’t know where that came from. They weren’t able to say the English name Benjamin the right way so they came out with the short version, which must have been Benny. But this might have been very strange to his parents, so they thought of something very easy to say, which was Pinnie.

Naktialuk, Pinnie (Benjamin)

Hunter Pulling at a Seal Line

c. 1960
stone
21 x 16.2 x 11.7 cm

Collection of the Winnipeg Art Gallery, Gift of Ralph and Frederica Knight
2007-87

  • Hunter Pulling at a Seal Line

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    Hunter Pulling at a Seal Line

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    Naktialuk’s family was part of Johnny Inukpuk’s camp until the mid-1960s when they moved into Inukjuak. This resulted in stylistic similarities that have caused confusion in distinguishing the two men’s work. Some of Naktialuk’s early work in the collection was originally unidentified, recognized later by the artist’s son. The realistic style and hunting subject matter is typical of Inukjuak and Puvirnituq in the 1960s and is quite different from the style of Naktialuk’s earlier sculpture. (Darlene Wight, Curator of Inuit Art)


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