This is the second carving Thomassiapik Sivuarapik made depicting the story of Amaruruuqtuq, the woman who turned into a wolf. This story was originally interpreted in carving form by the artist’s father, Charlie Sivuarapik. In both carvings, Sivuarapik shows the woman with her kamiks (boots). This is a key part of the story, as her tracks revealed that she had turned into a wolf. In one of the carvings, she is shown eating her remaining kamik. Sivuarapik’s father often illustrated other moments from the story.

In 2006, a major collection of 246 sculptures was donated to the Gallery by Vancouver collector Dr. Harry Winrob. Originally from Winnipeg, Winrob had made occasional purchases of Inuit carvings beginning in 1968. He became interested in seriously collecting Inuit sculpture in 1971, and soon focused on acquiring works made of organic materials from game animals (whalebone, walrus ivory, and caribou antler). Fifty-four sculptures in Winrob’s collection are created from organic materials, and thirty-six of these are of whale bone. Winrob once gave his background as a physician as the reason for his interest in these materials. However, much of his interest was also aesthetic. He was particularly interested in the flamboyant sculpture by Nattilingmiut (Netsilik) artists from Taloyoak, Gjoa Haven, and Kugaaruk. Sculpture with shamanic content fascinated him, particularly animal/human transformations. He explained that it was not the “classic” but the atypical, even the bizarre that held a strong attraction for him. In March 2008, Harry Winrob’s collection was the subject of a major WAG exhibition and catalogue.