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Piqtoukun, David Ruben

Piqtoukun, David Ruben

Inuvialuit

(b. 1950)

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Piqtoukun, David Ruben

(b. 1950)

David Ruben Piqtoukun (b.1950) lived with his parents and 14 siblings in camps along the Arctic coast north of the Mackenzie River Delta. His parents named him Piqtou (“gusty wind”) in honor of a family friend. The family lived a traditional migratory life until 1967 when it moved into the community of Paulatuk. At the age of five, he was among eight children local priests sent by airplane to a Catholic residential school in Aklavik. There, he received a uniform, a new name (David) and was forbidden to speak Inuvialuktun, his native language. It would be several years before he saw his parents again. Memories of residential school and a sense of lost language and culture are expressed in many of his sculptures.

Piqtoukun was introduced to stone carving in 1972 by his brother, Abraham Anghik Ruben, who had studied carving and design at the University of Alaska, Fairbanks. Training continued with an apprenticeship at the New World Jade company in Vancouver. Since 1974 his work has been represented in many national and international group exhibitions. In 1989, his work was shown in the WAG exhibition Out of Tradition: Abraham Anghik and David Ruben Piqtoukun, the first museum exhibition to show his work. In 1996, the WAG organized the solo exhibition, Between Two Worlds: Sculpture by David Ruben which later toured to The Museum of History, Gatineau, and the R. McLaughlin Gallery, Oshawa. Piqtoukun’s work has taken him around the globe to locales as far-flung as Argentina, China, Russia and the Ivory Coast.

Piqtoukun, David Ruben

Hidden Spirit

1995
Italian crystal alabaster, African wonderstone
28.7 x 17.3 x 6 cm

Collection of the Winnipeg Art Gallery, Gift of Rosalie Seidelman
G-96-2 ab

  • Hidden Spirit

    About

    Hidden Spirit

    Hidden Spirit

    The artist is originally from the Mackenzie Delta region of the Western Arctic. Shamanic relatives lived in Alaska and a mask that once belonged to his great-grandfather is now in the Smithsonian Museum. Masks were important to Alaskan Inuit shamans as they sought communication with the spirit world. This shaman’s special skills involved travel to the moon in order to influence the weather. Piqtoukun’s work in alabaster evokes both the mask and the cool whiteness of the moon, and a bird spirit hides, ready to allow the shaman the power of flight.


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    Kablusiak Discusses Hidden Spirit

    Kablusiak Discusses Hidden Spirit


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    Hidden Spirit

    Hidden Spirit